Note Archive: #collaboration

Tesselation


My original plan for this post, was to publish it alongside a video of the No Boundary Between piece installed at the Loft. It was a promise I'd made to several people who weren't able to make it to Birmingham for the actual exhibition – and one I was looking forward to keeping, mostly to try video editing again.

Last week however, my hard drive decided to throw a little hissy fit and being the fool of a person I can be, I'd not backed up the data. So, a year of photos and all documentation has been lost. I somehow managed to recover almost everything prior to that, but late 2013 - 2014 is a complete blank.

In a weird way, I actually didn't mind when I thought I'd lost everything. It felt quite freeing and a good jolt to remind me it's time to make new work, take new photos, have new experiences. I'd rather not have lost the documentation of my work, but my life – pah, that is happening now, right?!

Anyway, rather than let these process shots linger in the drafts, I thought let them loose. The last vestiges of this project. You can see my smiling face above which is, I have to admit, a rarity when I actually make work. Mostly it's grimaces, contemplation and quiet swearing until about a week after the end. This of course, only reflects my part of No Boundary Between – which involved folding two sheets of paper in the tessellation pattern, sandwiching the canvas fabric between, refolding (yes, using clothes pegs to help) and pressing. Chris had a distorted scanning & glitching process which sounded fascinating when he explained it to me in March. You'll have to ask him about that though.

All in all, it was a very interesting project to complete. It got me making stuff after a year of freaking out about making stuff (okay, I'm still slightly freaking out about making stuff, but less so) and it got me into thinking that maybe, I can actually channel over-ambition to other artwork and not necessarily always concede defeat to the conventions of fashion. Perhaps it's conflated ego talking, but that was quite exciting on a creative level.


Cross Process

Our days at The Loft are numbered. After a six month stint at the Priory Walk space, we’ve little under two weeks left and one final exhibition to go.

It’s a bitter sweet symphony; I’ll miss my days surrounded by talented Loft friends, yet it’s also high time to put my own wheels into action. Of course, not without a detour first: clothes may not have been made in the last six months, but following the multi-disciplinary ethos of the Loft, I did partake in a little collaborative art project back in April, No Boundary Between.

Since the project transpired because of the Loft, it seems only fitting that it’s shown again at We Are The Loft Birmingham – which means some remaking, testing and refining on my part. Still, cross discipline arts practice is becoming dearer to my heart by the day, and the idea behind this project is still interesting, though I’ll explain it another day.

Anyway, since I’ll be deep in the woodlands of making over the next couple of days, I’ll leave you with a few process shots to whet your appetites. Don’t say I don’t share some insights!

Backstage of Au Lazuli

There’s always something lovely about behind-the-scenes shots, right? It’s like peaking into the imperfections, the decisions caught in time, and the various distractions that crop up during the few hours of a photoshoot. Whilst we were otherwise engaged, Jak’s assistant Art captured the magic, with some beautifully serene images. This was nearly a year ago now, but it in the spirit of starting to involve you in the process, I'm sharing them again.


All photographs courtesy of Arturas Bondarciukas.

Process: White Movement

Studio days
Behind the scenes of the White Movement collaborative project, 2010.