Note Archive: Spyglass

Abstract Landscapes

Digital seems to be having a moment of late; at least in my corner of the world. Whether it's former Loft pal, Yinka, co-curating Future Curious, or the recent Digital Disturbances exhibition at my current university; the crossover of technology and humanity has become a hot topic in the art & design world.

This interregation of digital spheres and humankind has been fascinating me for a while, though in ways that I'm only just beginning to grasp. I have written before about outfit blogging, and about reliance on technology for communicating. I’ve also, in more academic contexts, written about social media and body image, and meditated on fashion blogs. (What can I say, fashion has been my thing) The digital world is captivating. You’re reading these words on a screen, through a network of connected computers and via a web browser. It’s an incredible mathematical and engineering feat, quite frankly. But what exactly does it mean to be human with these riveting new toys?

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Earthenware Two

Lived in Colour
Ceramics at the Victoria & Albert Museum, London.

Earthenware

Of Blacks & Whites
Ceramics at the Victoria & Albert Museum, London.

Citations #2

Citations is an ongoing series where I attempt to unravel the multitude of influences that pave the way to now. In these posts, I trace the people, things and experiences which shaped my thinking, and form the underpinnings of a creative outlook. You can view more of the series here.


Worn Fashion Journal

Worn, worn, worn... how many words can I entangle today to express how much adoration I hold for you? Or perhaps that should be held, since the final issue landed with a thud through my post box in January. What struck me then, was that this was an opportune moment to reflect on the publication. Delve into those bits of the Worn ethos that I've subconsciously nicked from every issue I've read, and resonate still today.

Worn Journal has a core, maybe cult, following and doubtless, some reading here may count yourselves amongst them. I came to Worn in 2009; when, through the joys of Twitter, I was sent a review copy for the tiny blog I kept at the time. The only remnant of that review is the photograph at the top, but suffice to say reading that issue was enough to hook me into Worn's World. Back issues and subscriptions were bought, and copies remain amongst the treasured possessions on my bookshelf. Maybe you'll have similar stories.

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Unintended Pattern

Patterns appear when you’re not looking
Micellaneous moments and things over the last few years.

A Built Environment

In the old livejournal days, when times were simpler and the internet was a small excited child, one of my friends made an animated gif of a tree with our in-joke, “I lobe trees” on it. I was 13 then, and displayed it for longer than is probably wise to admit to now. But, we can say this was the beginning of my now blossoming interest in sustainability – and obviously, a fondness for trees.

Like any good soul who wants to infiltrate a field does, research is the start. When researching Thalia Warren, I found knitwear label Chinti + Parker. As a sucker for a well-made website and design that does not rely on its ethical tag for a USP, I made mental notes to check back when I had more time. And check back I did, to find a collaboration with famed design studio, Patternity.

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Needle Focus

Embroidery details
Witnessed in 2011, at Bath Fashion Museum